Iconic Northumberland landmark, The Sycamore Gap, has been destroyed. Vandalism believed to be the cause.

Poetry & Writing

The residents of Northumberland, and fans of the county’s stunning scenery around Hadrian’s Wall, woke up to devastating news this morning, as they discovered that the Sycamore Tree nestled in a dip along the wall near Twicebrewed has been felled.

The tree, which led to the spot it stood in becoming known as The Sycamore Gap, was discovered on it’s side, lying across the ancient ruins of the Roman Wall, by Amanda Marks, an author who happened to be staying nearby. Her Facebook post (below) soon went viral among local interest groups focused on the Wall and local towns of Hexham and Haltwhistle.

Pictures courtesy of Amanda Marks, Author (via Facebook.com).

Believed to have been 300 years old, the Sycamore tree (Acer pseudoplatanus) is the surviving member of what was once a small cluster of trees in that spot along the Wall, the ancient border between Roman Britain and Scotland. It was named ‘Britain’s Favourite Tree’ in 2016 and was the subject of countless photographs, both amateur and professional. You can read more about history of the tree here.

The tree became a much more famous landmark following this scene in the 1991 blockbuster Robin Hood: Prince of Thieves, a Hollywood retelling of the Robin Hood legends starring Kevin Costner, Morgan Freeman, Mary Elizabeth Mastrantonio and Alan Rickman.

The film brought even more tourism to an already popular spot for walkers and fans of Romano-British history.

Copyright Warner Brothers.

At present, it is claimed hat the tree was damaged by the winds from Storm Agnes, which blew through the region on Wednesday night and into the early hours of Thursday morning. As a result, the tree may have had to be cut down for safety purposes. Yet looking at the pictures of the felled tree above, many argue that the truck is not showing any signs of storm damage. In fact, the only damage that CAN be determined is the very clean chainsaw cut running through the centre of the trunk.

Furthermore, several local residents are questioning why the tree has been left lying on top of the Wall itself? Historic England, who manage and maintain the sections of Hadrian’s Wall which remain, have long asked walkers and visitors to refrain from walking on to of the wall itself, to prevent further wear and damage to the monument, and the route has more than one sign reminding people of this fact.

Consequently, many believe that the tree has bee cut don in a mindless act of vandalism. As soon as more information becomes available, I will update this post.

Update (5th of October 2023): It has been confirmed that this incident was a deliberate act if vandalism. Local police arrested a 16 year old boy and a man in his sixties in the days following the felling. Both were released, without any charges being pressed at this point, and their investigation continues.

Whatever the reason, it’s a truly sad day for Northumberland. Already, the loss of this iconic tree has provoked sadness and rage amongst those who live close to it, and those who have walked past it on their route along the Wall. Hopefully we will find out exactly why this tree was felled, and if it was a mindless act of vandalism, then suitable measures are taken.

Trees were an important part of Celtic culture (indeed, the alphabet system used trees to differentiate and help organise their letters). In cultures all over the world, trees play an important part, from the Trees if Life & Knowledge in the Garden of Eden to the World Tree in Norse mythology. I believe trees have continued to play an important part in our psyche, hence the huge outpouring of grief in the local area and around the United Kingdom, and even among fans of Hadrian’s Wall around the world.

What happens to the felled tree now, and what might replace it at the Gap itself, remain to be decided. Memories can be shared at a special room set up at The Sill, a local visitor centre very close to the site of Sycamore Gap. More information can be found here.

Picture credit: Simon Bradfield.

Quiet Quitting isn’t a thing – but fair working should be

Advice & Tips

Recently the term Quiet Quitting has emerged in the public sphere this year. The term refers to the apparently new trend of only working one’s contracted hours, foregoing unofficial overtime, answering emails from home, or living to serve one’s employer. Pieces have provided an overview on the BBC’s website and in newspaper articles often highlighting the anxieties of large corporations as they lose thousands of unpaid hours of labour. This piece by Guardian columnist Tayo Bero provides an informative insight into the practice.

Except it isn’t a new phenomenon at all. Some people have brought this mindset to their jobs for years. This article from Time Magazine (published just a month before the world closed down because of Coronavirus), discusses the work-life balance and comes very close to saying the same points that the Quiet Quitting ‘movement’ are saying now.

But not everyone can do this. The term mainly applies to those in what might unkindly be referred to as a ‘dead end’ job, from office workers to hospitality staff. Healthcare professionals don’t have the luxury of being able to clock off once they have reached their contracted hours for the day if patients still require care then and there. The same is true in allied healthcare professions such as therapy, my own area of work. Even in the regular routine of weekly sessions, there are issues, from last minute meetings to safeguarding emergencies that mean your presence and insight is required, and you have a duty of care to ensure the best care possible.

But is that always reflected in the financial compensation therapists receive? That largely depends on the employer. Those at the highest risk of working far beyond what they are paid for are those in the sector who are self-employed. These professionals face the struggle to balance charging fairly for their time against the threat of pricing themselves out of the market for a contracted service.

I have wrestled with this conundrum myself as both a music therapist and as a guitar player for hire. It’s certainly not rare to feel like you should have invoiced for more after the full scale of the work involved becomes clear. Getting this balance right is largely a lesson we learn from experience, but in a society where average wages are falling below the cost of living, it is a balance which many find increasingly difficult to maintain.

By contrast, the practice of Quiet Firing, described in this article, has also been highlighted, where employers distance some of their employees from opportunities to progress in their career. It is highly likely that both practices are being fuelled by the other, creating an unhealthy cycle that no employee would wish to be part of.

Some are even attempting to relabel Quiet Quitting as burnout, or a means of dealing with or avoiding burnout. I even read one which went as far as to suggest that the practice was a coping mechanism by employees which will help them be more productive in the future:

It’s another sign of workers — sometimes not even consciously — looking “for ways to feel less burnt out, more motivated and more engaged.”

Nathalie Baumgartner, quoted In The Washington Post

While burnout is in doubtedly a factor, I think viewing this as the workers trying to be even better workers is one hell of a stretch. Perhaps HR teams across the land are finding ways to exonerate themselves of any unpleasant behaviour by placing all the onus on the employees? The very term Quiet Quitting is misleading, as it implies that not working beyond what you are paid to do is somehow falling short of the standards expected.

Something is clearly wrong with our work culture if we have reached this point. So what do we need to change? Perhaps businesses should have been more mindful to learn lessons from the Covid pandemic, instead of panicking about getting back to Business As Usual.

It’s time we, as a society, ha took a good hard look at the way we work, and perhaps if we continue to slowly stop pandering to big businesses (where possible), they will be forced to change And if a change comes from society, then everyone benefits – even the  self-employed. But first, we have to know our worth, and accept that fairness is worth fighting for.

New single ‘Freeze’ released this Sunday (20.12.20)

Music

The Nick Gladdish Band are finally releasing the second single from our upcoming album, Last One Get The Lights, after a little over two months of recording, overdubbing, mixing and mastering!

The song is called Freeze, and will be available via all the usual online streaming outlets such as Spotify, Amazon, iTunes, Deezer, etc…

This record has been delayed because of COVID19. The first lead single for this album was released last year! But somehow, in the middle of a pandemic (and adhering to social distancing rules), we managed to get the other ten tracks compeleted. I can’t wait to start sharing them with you!

In fact, after you’ve searched for Nick Gladdish and found the song, why not save him / follow him? We’ll have a new single coming out on the last Friday of the month for the first part of 2021, until the album Last One Get The Lights is released in April or May!

Listen to the first single, Blurry Lines, here on Spotify.

Harley Benton launch £70 power amp for guitar pedal boards

Guitars & Gear

Greetings guitar folk. We are back with a little bit of guitar gear news which seems to have dropped this morning…

Most guitar players have probably heard of Harley Benton before. The brand (owned by the European online music superstore Thomann) are well known for bringing surprisingly good guitars into the beginner/lower priced end of the market which have significantly better quality control than their rivals (their 335 copy is in high demand). They also offer a range of instruments and accessories that are useful for working musicians to have in their arsenal. To that end, they have introduced the GPA-100, a power amp that fits in your pedal board.

Here’s a link to the Harley Benton page for more information

The GPA-100 features master volume, plus 3 band EQ (treble, middle, bass). It’s main purpose might be to save the day, should your main amp/floor unit fail. And £70 is a small price to pay for that piece of mind.

If I have the chance to test one out, I will drop a review on here. If you buy one, please let me know what you think! Bye for now!

R.I.P. Julian Bream (1933-2020), a giant in the world of classical guitar

Great Guitarists

Not many classical guitar players are household names, either worldwide or here in the UK. Andres Segovia might be one, as a pioneer for performance of the instrument in it’s modern form. However, I’d suggest more people have heard of two of his more famous successors on the international performance stage. One is the very well-known Australian guitarist John Williams; the other, Julian Alexander Bream, who we learn has passed away at his Wiltshire home in the early hours of this morning, at the age of 87.

Julian Bream at home, 2014 (Credit: Eamonn McCabe for classicalguitarmagazine.com)

Born in London in 1933, Bream initially learned jazz , influenced by his father’s playing and Django Reinhardt. He was also offered a place at the Royal College of Music, aged just 12 years old, based on his piano playing. He later switched to the lute, and became a great champion for the instrument throughout his life, even as his focus shifted more and more towards classical guitar.

As well as his numerous transcriptions of lute pieces (such as those by Bach or Dowland) for guitar, Bream also performed many of the transcriptions left behind by Segovia, as well as the seminal guitar pieces composed by Francisco Tarrega. Known for his eye for detail, Bream’s virtuosity included an element of flexibility; a key example of this was that he did not maintain a consistent rigid right hand when playing (i.e., held at right angles to the stings), but made use of a more relaxed position, in order to achieve a greater variety in tone. This is something I do as well, because I, like Bream, am multi-genre guitarist. However, having been regularly admonished by my guitar tutor in my youth for holding an ‘improper’ right hand position, it was a relief to learn the one of the instrument’s masters did the same!

As Bream’s reputation increased, he was gifted pieces by composers as varied as “Britten, Walton, Tippett and Hans Werner Henze” (classical-music.com) and performed around the world. He also recorded TV specials, such as a series of four master classes on BBC television in the nineteen seventies, as well as segments for Channel 4 in the nineteen eighties. This no doubt helped him to become a household name for many, but he certainly never rested on his laurels. Even as an ‘elder stateman’ of the guitar, he apparently strove to improve himself. According to an interview given to The Guardian newspaper, Bream believed he was a better guitarist at the age of 70 than ever before!

Essential listening: A great place to start would be his two albums with John Williams, Together (1971) and Together Again (1974). Also, seek out his version of Joaquin Rodrigo’s Concierto de Aranjuez (with it’s famously emotive second movement).

Bream with lute (Credit: Avie Records)

Guitar students would do well to look at his crossovers into other styles, as well as his early lute work too, to get a more rounded picture of a hugely talented player, whose passing leaves a large hole in the classical guitar community.

Rest in peace, Julian.

A year of reading: magazines & periodicals

Books

I’ve mentioned in my ongoing year of books series how I’ve actually had little time to read this year. The current COVID19 pandemic has affected my work and home life in a way that seems to have slowed down the rate I was getting through my (always increasing) to-read pile.

However, alongside my book list and the academic works I have read as part of my music therapy work, I’ve also been reading an increasing number of short-form writing. After all, an article is much easier to finish in one sitting than an entire book! I thought I’d take the time to list some of these now, before publishing my next year of books installment (covering April to June, available to read here).

Some of my regular subscriptions include:

The Week – a weekly digest of the UK (and international) news media. The editors are fairly good at providing an even tone, taking both sides of an argument (and certainly the perspective of left- and right-wing newspapers) into accounts. Useful if you find you’re not watching the news as much during lockdown!

The Musician – the quarterly trade magazine for Musician’s Union members, and always full of useful information. It can sometimes be bogged down in the nitty-gritty of union business, but what else would you expect? Prior to lockdown, they were running an invaluable ongoing series showcasing one city or town at a time and highlighting the best local live venues, studios and rehearsal spaces – useful information when you are (or at least were) planning a wider tour of the UK with your band.

The Music Therapy Journal (British Association of Music Therapists) – out twice a year, this edition was delivered at the end of June, featuring the latest academic papers in the professional field of music therapy, as well as book reviews. I wouldn’t call tis light bedtime reading, but it’s essential for my work as a music therapist.

Loud & Quiet – a music magazine, initially covering live and indie music in London, but long since branching out. This year’s pandemic forced this previously free magazine to move to a paid system, and I was happy to support the writing team with a donation for a year’s subscription, which includes free playlists of exciting new emerging artists.

The Big Issue – the famous magazine sold by homeless people to raise money for themselves. A great cause to support, especially in such uncertain times. However, it’s more then charity for charity’s sake; the articles are as well written as any national newspaper, and I especially enjoy their music & book reviews.

Guitar Interactive and Music Radar – two online-based sites which I’ve found myself returning to on numerous occasions for equipment reviews and guidance, as well as news on newly released gear. Lessons and technique tips are available too, but if I’m honest, I’m mainly there to drool over the guitars!

What magazines are you guys reading? Let me know!